I’ve done a few giveaways in the past on this site celebrating community, Facebook, etc. But I’ve never done anything quite like this. This giveaway is special in that it has nothing to do with me or Ikigai Way. It’s simply about you…or more accurately…a special martial artist in your life.
I’ve been working with the Karate Depot team to create the “Selfless Sensei” Charitable Giveaway. The prize: a $1000 gear shopping spree to the winner.
In my mind, every reputable martial arts instructor is doing his/her community a great service by providing quality instruction and guidance. But every so often a teacher goes above and beyond through acts of great charity and giving. It’s in this spirit that we celebrate the holiday season, and hopefully we can make one generous Sensei’s holiday a whole lot brighter.
Your job is to go to the contest page and nominate an individual who has brightened the lives of others and should be rewarded for their selflessness.
How Do You Enter?
Entry to the competition is easy. Simply click here to visit the contest page, then click “enter contest” below the main image to be taken to a simple form where you fill out the appropriate information. Include a short description of your nominee and in what way this individual has acted charitably or made an unusual difference. You can even submit a nominee anonymously if you find it to be more appropriate.
Who Is Eligible To Be Nominated?
As I said earlier, I think all teachers do a great service. But this contest is focused around acts of giving. Therefore instructors that have taught for free, helped disabled or underprivileged students, or rallied their community in some significant way are the desired candidates.
How Will a Winner Be Chosen?
Nominees will be openly accepted until December 15th. After that there will be a voting period where visitors can select their favorite story (Dec 15th-Dec22th). On the 24th the winner will be announced and the prize awarded.
Let’s make a difference in the life of someone who makes a difference!
I recently finished the book “The 47th Samurai“, by Stephen Hunter. One of the main driving forces of the book is a seemingly simple yet utterly misunderstood word: “Samurai”. Young men throughout the book cling to this idea of Samurai and are driven by it, distorted by it, and blinded by it.
For generations the notion of Samurai has shaped Japanese culture and now affects every culture around the world. The power of it has only increased as Anime and Chanbara films grow in influence. These days it is impossible to avoid Bushido, Ninja, and Samurai (and the slew of individuals claiming mastery over each).
Concepts like Bushido have been subject to centuries of nuance and development that are so subtle that practitioners spending a lifetime trying to grasp them still cannot truly put the entire philosophy into words. The greatest poets and writers have only been able to give us the essence of it.
Samurai, even during their glorious Sengoku Period, were complex creatures that were prone to as much obsession and compulsion as they were to honorable sacrifice and courage.
Modern day individuals cannot and should not be Ninja or Samurai and they should not strictly follow the code of Bushido. The reason why is because assassination and suicide are not parts of our modern culture. Nor are the rights of Kirisute Gomen, Seppuku, or Jo Uchi. Furthermore the right to kill peasants/criminals in order to test the sharpness of a blade, or to eliminate an enemy’s family through political intrigue, are seen as uncouth acts at best.
It is critical to remember that when invoking the name of Samurai or Bushido you invoke everything that comes with it, not just the parts that sound good in platitude.
Honor It Instead
Honor the Koryu arts by training in them diligently and absorbing the best of what they have to offer. Recognize the truth of the matter – that you are an individual who is bettering him/herself through ancient philosophy and applying those parts of it to your life that improve your health, happiness, and skill set. Embracing “the essence” of the art is a far more worthwhile goal than trying to join a long extinct class.
To train in the Koryu arts is to seek a better understanding of Budo. To study the way of Samurai/Bushido/Ninjutsu is to understand what it is and what it is not. If you say “I follow the way of the Samurai”, understand what you’re saying. It’s not just a couple of quotes about personal strength and courage.
Honor the old ways by avoiding fake titles, self embellishment, and delusion.
Kendo is a dynamic sport. When watching, it’s hard to take your eyes off of the lightning bolt sword strikes or the faces of the competitors as they pierce each other with intensity. If you’ve never seen a kendo match (or even if you have), check out the following video for a great example:
The zanshin of a good kendo match is always very high. It is a fine balance between keeping energies and emotions perfectly in check while still transmitting full spirit into your opponent in the hopes of intimidating or disrupting him/her.
However, even with all of that going on, the real core fundamental that every great kendo player requires, the engine that powers each thunder clap movement, is Okuri Ashi.
When first learning kendo one of my biggest problems was that I had already been a karate and kobudo student for about a decade. That means certain stancing and body movements were very ingrained into me. This was compounded by the fact that I had studied karate in my formative years and thus had it as part of my developed “self”.
As opposed to karate where most stances are optimally used to involve the whole body (especially the hips) in a variety of techniques and to weight the body down when appropriate, most of kendo’s footwork is light and crisp. Shizen tai is a very popular term in kendo and means “natural body”. Okuri ashi takes a shizen tai upright body and manipulates the footwork to allow for extremely quick forward and backward movement with minimal “dead spaces” in between each movement.
The execution of Okuri Ashi is as such:
The feet start about shoulder width apart, the ball of the left foot lining up across from the right heel. The right foot moves first, sliding forward about a half pace. The left foot then slides up to meet it, the heel lifting just a bit off the floor. Exactly how much lift you are instructed to get during this movement will vary from school to school.
Okuri ashi can be used with smooth, half pace strides to cover distance or it can be abbreviated to possess extremely short motions (while still maintaining that sliding characteristic). The benefit of moving like this is that your weight is underside almost at all times. This allows you to make quick directional changes and leap into attacks at the moment you feel them appear.
When Okuri ashi is done in multiple successions, it takes on a slight hopping quality even though the body and feet never leave the ground. To understand what I mean, observe this video of a basic drill known as Kirikaeshi:
You might take note that when moving forward the lead right foot moves first, and when moving backward the rear left foot moves first. During Okuri ashi they do not switch.
It can take years to make this motion feel natural, but it’s worth the effort. Okuri ashi has a lot to teach about keeping body weight centered and available for explosive movement. Give it a shot sometime, and don’t worry if you feel a bit awkward at first.